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・ Oscar Rex
・ Oscar Reynert Olsen
・ Oscar Richard Hundley
・ Oscar Riddle
・ Oscar Riera Ojeda Publishers
・ Oscar Righetti
・ Oscar Ringle
・ Oscar Rivadeneira
・ Oscar Rivas (environmentalist)
・ Oscar Roan
・ Oscar Roberto Cornejo
・ Oscar Robertson
・ Oscar Robertson Trophy
・ Oscar Rodrigues Alves
・ Oscar Nichols House
Oscar Niemeyer
・ Oscar Niemeyer International Cultural Centre
・ Oscar Niemeyer Museum
・ Oscar Nierstrasz
・ Oscar Nilssen
・ Oscar Nilsson
・ Oscar Nissen
・ Oscar Nitzchke
・ Oscar Nogués
・ Oscar Nord
・ Oscar Norich Stadium
・ Oscar Novoa
・ Oscar Ntwagae
・ Oscar Nuccio
・ Oscar Nunez


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Oscar Niemeyer : ウィキペディア英語版
Oscar Niemeyer

Oscar Ribeiro de Almeida Niemeyer Soares Filho (December 15, 1907 – December 5, 2012), known as Oscar Niemeyer (), was a Brazilian architect who is considered to be one of the key figures in the development of modern architecture. Niemeyer was best known for his design of civic buildings for Brasília, a planned city that became Brazil's capital in 1960, as well as his collaboration with other architects on the United Nations Headquarters in New York City. His exploration of the aesthetic possibilities of reinforced concrete was highly influential in the late 20th and early 21st centuries.
Both lauded and criticized for being a "sculptor of monuments",〔Magarrey, Paige (December 8, 2007) (Niemeyer's Century ). ''Azure''〕 Niemeyer was hailed as a great artist and one of the greatest architects of his generation by his supporters.〔(Niemeyer, Gullar, F. )(in Portuguese)〕 He said his architecture was strongly influenced by Le Corbusier, but in an interview, assured that this "didn't prevent () architecture from going in a different direction".〔Salvaing, Matthieu (2002) ''Oscar Niemeyer''. Assouline Publishing. ISBN 2843233445〕 Niemeyer was most famous for his use of abstract forms and curves and wrote in his memoirs:
I am not attracted to straight angles or to the straight line, hard and inflexible, created by man. I am attracted to free-flowing, sensual curves. The curves that I find in the mountains of my country, in the sinuousness of its rivers, in the waves of the ocean, and on the body of the beloved woman. Curves make up the entire Universe, the curved Universe of Einstein.〔Niemeyer, pp. 62 and 169–70〕

Born in Rio de Janeiro, Niemeyer was schooled at the city's Escola Nacional de Belas Artes (Federal University of Rio de Janeiro), and after graduating worked at his father's typography house, and as a draftsman for local architectural firms. In the 1930s, he interned with Lúcio Costa, with the pair collaborating on the design for the Palácio Gustavo Capanema in Rio de Janeiro. Niemeyer's first major project was a series of buildings for Pampulha, a planned suburb north of Belo Horizonte. His work, especially on the Church of Saint Francis of Assisi, received critical acclaim and drew international attention. Throughout the 1940s and 1950s, Niemeyer became one of Brazil's most prolific architects, working both domestically and overseas. This included the design of the Edifício Copan (a large residential building in São Paulo) and a collaboration with Le Corbusier (and others) on the United Nations Headquarters, which yielded invitations to teach at Yale University and the Harvard Graduate School of Design.
In 1956, Niemeyer was invited by Brazil's new president, Juscelino Kubitschek, to design the civic buildings for Brazil's new capital, which was to be built in the centre of the country, far from any existing cities. His designs for the National Congress of Brazil, the Cathedral of Brasília, the Cultural Complex of the Republic, the Palácio da Alvorada, the Palácio do Planalto, and the Supreme Federal Court, all completed by 1960, were experimental and linked by common design elements. This work led to his appointment as inaugural head of architecture at the University of Brasília, as well as honorary membership of the American Institute of Architects. Due to his largely leftist ideology, and involvement with the Brazilian Communist Party (PCB), Niemeyer left the country after the 1964 military coup and opened an office in Paris. He returned to Brazil in 1985, and was awarded the prestigious Pritzker Architecture Prize in 1988. A socialist and atheist from an early age, Niemeyer had spent time in both Cuba and the Soviet Union during his exile, and on his return served as the PCB's president from 1992 to 1996. Niemeyer continued working at the end of the 20th and early 21st century, notably designing the Niterói Contemporary Art Museum (1996) and the Oscar Niemeyer Museum (2002). Over a career of 78 years he designed approximately 600 projects.〔William J. R. Curtis in ("Oscar Niemeyer: architects and critics pay tribute" ), in ''The Guardian'', December 7, 2012〕 Niemeyer died in Rio de Janeiro on December 5, 2012, at the age of 104, ten days before his 105th birthday.
==Early life and education==
Niemeyer was born in the city of Rio de Janeiro on December 15, 1907.〔 He took his German surname from a German Brazilian grandmother with roots in Hanover, Germany. Niemeyer explained, "my name ought to have been Oscar Ribeiro de Almeida de Niemeyer Soares, or simply Oscar de Almeida Soares, but the foreign surname prevailed and I am known simply as Oscar Niemeyer".〔Botey, Joseph M. (1996) ''Oscar Niemeyer''. Gustavo Gili. ISBN 8425215765〕 He spent his youth as a typical young Carioca of the time: bohemian and relatively unconcerned with his future.〔Young, Ana. (December 11, 2014) (Life Is More Important Than Architecture: A Celebration of Oscar Niemeyer ). Soundsandcolours.com. Retrieved on 2015-06-30.〕 In 1928, at age 21, Niemeyer left school (Santo Antonio Maria Zaccaria priory school) and married Annita Baldo,〔 daughter of Italian immigrants from Padua.
He pursued his passion at the National School of Fine Arts in Rio de Janeiro (Escola Nacional de Belas Artes) and graduated with a BA in architecture in 1934.〔

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